SINGLE REVIEW: David Nail-“Kiss You Tonight”


Similar to a young Blake Shelton, consistent radio success has been hard to come by for David Nail. In the 7 singles he’s released to country radio since 2008, his success has been a roller coaster ride. His singles have peaked on the charts at 47–7–20–1–38–1, never able to garner real consistency on the airwaves. He’s looking to turn that around with his latest single “Kiss You Tonight”, the sophomore single from his brand-new album I’m A Fire, riding the waves of his chart-topper “Whatever She’s Got”.

“Kiss You Tonight” isn’t like many of the songs on country radio right now. Typically going into spring/summer, the singles being released are more of a fast-paced party type sound. “Kiss You Tonight” has more of a laid-back contemporary sound to it, which could potentially help it’s cause on the charts. The song was co-written by former American Idol champion David Cook, with established country songwriters Jay Knowles (who’s had success with George Strait/Alan Jackson/Rodney Atkins), and Trent Summar (who’s had success with Gary Allan/Billy Currington/Kip Moore). The song finds David Nail wishing to find redemption in the lost girl of his dreams, nothing unfamiliar for country music.

David Nail’s amazing & infectious vocals, combined with the familiar message in the lyrics, should help this single find the consistent success he’s been longing for on country radio. “Kiss You Tonight” garners an A rating from me, and it’s hard to imagine this song not finding the success it deserves.

For more on David Nail:


Or you can find him out on the road, currently as the opening act for Darius Rucker & Eli Young Band on the True Believers Tour


Artists to Watch: Nomads


Nomads are a hardcore-punk band from Los Angeles California, featuring ex members of Furious Styles, ACxDC and Sleepwalkers. They produce a raw and abrasive type of crust inspired d-beat/hardcore-punk that will make you want to kick the living shit out of something. The fast angry street punk sound infused with breakneck guitar solos, keeps the music interesting throughout their as of yet small discography. Lyrically, the band deals with experiences brought on by former drug abuse as well as distrust and blatant hatred for the L.A. police force. The equation this band has written yields a sum, which emits an aura of danger to it that had me hooked from the very beginning.

The ferocity of this bands sound should probably come as no surprise, considering that Nomads is the union of powerviolence and New York style hardcore. This equation is not entirely unique in the hardcore punk and metal scenes as of late, but Nomads has found a way to derive a sound from it all their own. You can check out their upcoming self released and self titled EP via the link at the bottom of the article as well as streams of their split 7” with Treacherous Kin and their demo.

DEAD INSIDE-Millions Dead EP

dead inside

First off, let me be clear about Millions Dead; this is not for the faint of heart. If you enjoy some melody with your aggression, you should probably pop your Emery album back in your car stereo. If the gore on the delightfully malevolent cover (akin to Aborted or General Surgery) is any initial indication, Dead Inside want to give you as violent of a soundtrack as possible, as punishing beatdowns are aplenty here. Incredibly, the guitar is tuned to Drop E, which only makes the affair heavier and more intense. Vocalist Daniel performs admirably on this EP, not only showing a strong range but also giving the listener some incredibly sick and misanthropic lyrics. Truth be told, if Millions Dead seems over-the-top, then you probably aren’t getting the right idea; Dead Inside have intentionally crafted some of the most enjoyable deathcore that I have heard in quite some time, and it is intentionally visceral. The horrific imagery in the lyrics, the slowed down breakdowns, and the beneath-the-depths-of-hell vocals are to create an image of total and complete despondency.

The production on this is truly incredible, especially for a band that is still making a name for itself. The crunch of the guitar and the crashing cymbals echo cleanly while still giving the appropriate amount of grit. Standout track “Severing the Filthy Head From Neck” exemplifies this the best; as the crushingly heavy track hits hard, everything drops out for one of the only respites of melody on Millions Dead. Guitarist Jack Boaden plays a haunting and ominous guitar line as the ending beatdown leaves the listeners bloodied to a pulp and begging for more. As Dead Inside continue to build their sound, one can hope the more moments like this happen on future recordings, as the unique intricacies of Dead Inside’s music reveal themselves with multiple listens. The beginning syncopated drumbeat in “Deicide” is immediately engaging and invigorating, and the line, “If there is a god, he will have to beg for my forgiveness!” is deliciously irreverent. The inclusion of some small movie sound-bytes recall some nostalgic loves of mine (old Through the Eyes of the Dead and Killwhitneydead, anyone?), but also doesn’t detract from the music present on the EP.

Though it is firmly entrenched in the beatdown genre, Millions Dead is impressively heavy and monolithic. There is not much crossover appeal for fans of other extreme metal, who potentially could find the slower, heavier passages arduous. However, there is no doubt that these songs will translate very well in a live setting, and the production quality just propels the release even further. There are a few missteps here and there (“For Every Infant A Body Bag” was unfortunately everything you’ve ever expected out of an intro track, despite the promising name), but overall there is stunning consistency and not a bad track to be found. If you find beatdown music to be your bag, there is not much out there that will be as fun of a listen as this release. Well, what are you waiting for? Grab Millions Dead and “swing like your girlfriend’s pregnant!”.

Rating: 3.8/5

Purchase and stream Millions Dead here.